Touching Base (April 2012)
These days, I seem to be spending most of my writing time on real-time reviews of other authors’ books I’ve purchased.
I actually get a lot of satisfaction from real-time reviewing.
I think my early ’gestalt’ watershed was Joel Lane’s BENEATH THE GROUND as far as a multi-authored anthology was concerned. But two other important watersheds were the very first real-time review I did in 2008 (almost accidentally): GLYPHOTECH by Mark Samuels and THE IMPELLED by Gary Fry, particularly the latter where I fully found my feet in tracking audit-trails…
I’m particularly proud of some of the most recent author reactions shown at the top of the page here: http://dflewisreviews.wordpress.com/the-authors-reactions/
The whole list of links is here: http://dflewisreviews.wordpress.com/
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Real-Time Rites of Passage:
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The WEIRD – Ann & Jeff VanderMeer
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The world’s first detailed review of all the published fiction works of FRANCES OLIVER
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My Chômu Press Real-Time Reviews
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Ex Occidente Press – My Real-Time Reviews
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Ash Tree Press – My Real-Time Reviews
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Real-Time Reviews of Ebooks
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My Real-Time Reviews of Stephen King (The Dark Tower etc)
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Gray Friar Press – My Real-Time Reviews
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TTA Press – My Real Time Reviews
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Elastic Press – My Real-Time Reviews
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Gary Fry & Gary McMahon – My Real-Time Reviews
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My real-time reviews of Steve Rasnic Tem fiction included here: Black Static #12 — Cinnabar’s Gnosis — Null Immortalis — Black Static #19 — Ghosts (Crimewave Eleven) — The Far Side of the Lake – Interzone #239
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Mark Valentine: The Nightfarers – Cinnabar’s Gnosis – The Mascarons of the Late Empire & Other Studies – Null Immortalis – The Peacock Escritoire – The Master in Café Morphine – THE HA OF HA – Secret Europe
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“DFL DVD-Director-type commentaries” (hot recommended!):-
“Real-Time Review of ‘Weirdmonger’ by DF Lewis” by DF Lewis – Writer’s Commentary
CERN Zoo – the original DFL ‘Editor’s Commentary’ – the Collider made me do it!
Null Immortalis – the Editor’s Commentary (bonus feature)
The Horror Anthology of Horror Anthologies
