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Träumerei: Co-Vivid Dreaming
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The Three Ages of D.F. Lewis
0. 1948-1985 — Poems / Zeroist Group (1960s), The Visitor (Novel) 1973, Agra Aska (novella) 1983.
1. 1986-2000 – Over 1000 fiction publications in magazines and anthologies, some selected for the Prime Books D.F. Lewis collection ‘Weirdmonger’ (2003).
He was awarded the BFS Karl Edward Wagner Award.
2. 2001-2010 – Publishing multi-authored ‘Nemonymous’.
3. 2008-
GESTALT REAL-TIME REVIEWING (www.nemonymous.com),
Plus one novel NEMONYMOUS NIGHT (Chômu Press), a story collection and two novellas entitled THE LAST BALCONY (InkerMen Press), and a novella entitled Weirdtongue (InkerMen Press), and my reprint of Agra Aska that was originally published in 1998 by Scorpion Press,
Plus three originally created multi-authored anthologies that I published,
Plus two books from Mount Abraxas Press, and an Eibonvale chapbook called The Big Headed People. And a book collection from Eibonvale: DABBLING WITH DIABELLI,
Plus, in July 2020, a past story selected for THE BIG BOOK OF MODERN FANTASY edited by Ann and Jeff VanderMeer.
Available DFL books: HERE
All reviews linked for each of these years:
2008/9 – 2010 – 2011 – 2012 – 2013 – 2014 – 2015 – 2016 – 2017 – 2018 – 2019 – 2020
And Click: HERE for full Navigation, Stop Press & Backstory.
Cross-referenced this book briefly here: https://dflewisreviews.wordpress.com/2018/05/30/golden-house-salman-rushdie/#comment-13103
I consider myself not to be a reviewer of non-fiction, but if I have any thoughts when I go through the essays, I shall show them below in future comments.
I bought this book as a completist collector of this author. And it seems full of well-written and potentially interesting anecdotes, observations and insights (some controversial, I infer), but I am no expert in such phenomena, especially with my lifetime belief in the literary theory of the Intentional Fallacy and my more recent activity in describing, interpreting and evaluating hyper-imaginative, hopefully non-didactic fiction works, an activity pursued with a sense of wonder and poetic critique based purely on the text, a text presumably provided by the author to stand alone. Or at least alone as part of the Jungian labyrinth of such literature?
End