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Twitter: @DF_Lewis
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GESTALT REAL-TIME REVIEWING
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Träumerei: Co-Vivid Dreaming
DFS LEWIS: Reading Aloud
Available DFL books: HERE
The Three Ages of D.F. Lewis
0. 1948-1985 — Poems / Zeroist Group (1960s), The Visitor (Novel) 1973, Agra Aska (novella) 1983.
1. 1986-2000 – Over 1000 fiction publications in magazines and anthologies, some selected for the Prime Books D.F. Lewis collection ‘Weirdmonger’ (2003). Work once in Stand, Iron, Panurge, Orbis, London Magazine….
I was awarded the BFS Karl Edward Wagner Award.
2. 2001-2010 – Publishing multi-authored ‘Nemonymous’.
3. 2008-
GESTALT REAL-TIME REVIEWING (www.nemonymous.com),
Plus one novel NEMONYMOUS NIGHT (Chômu Press), a story collection and two novellas entitled THE LAST BALCONY (InkerMen Press), and a novella entitled Weirdtongue (InkerMen Press), and my reprint of Agra Aska that was originally published in 1998 by Scorpion Press,
Plus three originally created multi-authored anthologies that I published,
Plus two books from Mount Abraxas Press, and an Eibonvale chapbook called The Big Headed People. And a book collection from Eibonvale: DABBLING WITH DIABELLI,
Plus, in July 2020, a past story selected for THE BIG BOOK OF MODERN FANTASY edited by Ann and Jeff VanderMeer.
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THE LAST BALCONY: HERE
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After many satisfying years of gestalt real-time reviewing, it now feels really special to see one of my own old stories showcased here!
My detailed review of this Big Book: HERE
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MASK
The Ha of Ha above.
Late Labelling:
I have now already read some of this book and decided to continue reading it outside the scope of my public real-time reviewing. It is of a genre style when in long novel form that I feel unsuitable for such an approach by me, as I am not confident I can do justice to it by this means, but I can already recommend it to those who would like to try a truly hyper-imaginative journey, one that will likely blow all the implants in your mind!
I bought this new book, one I very much look forward to continue reading, because I love the author’s story collection that I earlier reviewed, as linked above.
Just one further thought, as I proceed reading the book quietly (inner-noisily) to myself. This seems to be a landmark SF book, with definitions of words as well as slick plot about implants thinking your mind, a perfect example of what I call hyper-imaginative literature. It is just that I am more than slightly out of my genre review depth void. A cross between poetic Joyce/Sneyd and projected PKDick/Doc Smith? Potentially a reading journey of a lifetime. Traditional as well as utterly ground-breaking – paradoxically. Best to read it in due duration to your mixed yourselves, too, without any accompaniment from the likes of me and my various intrusive selves.
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