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Twitter: @DF_Lewis
Träumerei: Co-Vivid Dreaming
DFS LEWIS
Reviews linked for each year: 2008/9 – 2010 – 2011 – 2012 – 2013 – 2014 – 2015 – 2016 – 2017 – 2018 – 2019 – 2020
And Click: HERE for full Navigation, Stop Press & Backstory.
Available DFL books: HERE
All reviews linked for each of these years:
2008/9 – 2010 – 2011 – 2012 – 2013 – 2014 – 2015 – 2016 – 2017 – 2018 – 2019 – 2020
And Click: HERE for full Navigation, Stop Press & Backstory.
The Three Ages of D.F. Lewis
0. 1948-1985 — Poems / Zeroist Group (1960s), The Visitor (Novel) 1973, Agra Aska (novella) 1983.
1. 1986-2000 – Over 1000 fiction publications in magazines and anthologies, some selected for the Prime Books D.F. Lewis collection ‘Weirdmonger’ (2003).
I was awarded the BFS Karl Edward Wagner Award.
2. 2001-2010 – Publishing multi-authored ‘Nemonymous’.
3. 2008-
GESTALT REAL-TIME REVIEWING (www.nemonymous.com),
Plus one novel NEMONYMOUS NIGHT (Chômu Press), a story collection and two novellas entitled THE LAST BALCONY (InkerMen Press), and a novella entitled Weirdtongue (InkerMen Press), and my reprint of Agra Aska that was originally published in 1998 by Scorpion Press,
Plus three originally created multi-authored anthologies that I published,
Plus two books from Mount Abraxas Press, and an Eibonvale chapbook called The Big Headed People. And a book collection from Eibonvale: DABBLING WITH DIABELLI,
Plus, in July 2020, a past story selected for THE BIG BOOK OF MODERN FANTASY edited by Ann and Jeff VanderMeer.
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THE LAST BALCONY: HERE
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After many satisfying years of gestalt real-time reviewing, it now feels really special to see one of my own old stories showcased here!
My detailed review of this Big Book: HERE
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MASK
“Do you remember what clothes you were wearing when all this happened?”
Whatever the case, you will never think of clothes again in the same way after reading these sixty pages of prose verses giving us oblique accounts of body-consciousness and clothes, such factors for each gender and for children, with presented clothes being culturally wide. Tearing clothes, cutting clothes, wearing clothes suited and ill-suited and the underlying motives, clothes as nudity with many things inside like earrings and wigs, like objects brought to life, clothes as words, words as clothes, grammar and fabric interchangeable, the life of oneself and others made and unmade for measure, even retrocausally… “…as if by the use of a tiny pair of scissors we were altering history.”
More than frequently, I seem to know that I was destined to read a certain work when it turns out by miraculous happenstance to blend, in mutual synergy, with another work or works that I am reading simultaneously or almost simultaneously, and this is no exception, with the garbed body-consciousness and stapled skin and accoutrements of actorly identity and belongings as a journey of self, as a gestalt with Black Static 76 here, as read and reviewed yesterday.
Loved the quotes from Kafka and Woolf, too.