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Twitter: @DF_Lewis
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Things are not brilliant in the personal health regime of the Gestalt Real-Time Reviewer, so please excuse any delays in whatever I do. (June 2021)
GESTALT REAL-TIME REVIEWING
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And Click: HERE for full Navigation, Stop Press & Backstory.
Träumerei: Co-Vivid Dreaming
DFS LEWIS: Reading Aloud
Available DFL books: HERE
The Three Ages of D.F. Lewis
0. 1948-1985 — Poems / Zeroist Group (1960s), The Visitor (Novel) 1973, Agra Aska (novella) 1983.
1. 1986-2000 – Over 1000 fiction publications in magazines and anthologies, some selected for the Prime Books D.F. Lewis collection ‘Weirdmonger’ (2003). Work once in Stand, Iron, Panurge, Orbis, London Magazine….
I was awarded the BFS Karl Edward Wagner Award.
2. 2001-2010 – Publishing multi-authored ‘Nemonymous’.
3. 2008-
GESTALT REAL-TIME REVIEWING (www.nemonymous.com),
Plus one novel NEMONYMOUS NIGHT (Chômu Press), a story collection and two novellas entitled THE LAST BALCONY (InkerMen Press), and a novella entitled Weirdtongue (InkerMen Press), and my reprint of Agra Aska that was originally published in 1998 by Scorpion Press,
Plus three originally created multi-authored anthologies that I published,
Plus two books from Mount Abraxas Press, and an Eibonvale chapbook called The Big Headed People. And a book collection from Eibonvale: DABBLING WITH DIABELLI,
Plus, in July 2020, a past story selected for THE BIG BOOK OF MODERN FANTASY edited by Ann and Jeff VanderMeer.
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THE LAST BALCONY: HERE
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After many satisfying years of gestalt real-time reviewing, it now feels really special to see one of my own old stories showcased here!
My detailed review of this Big Book: HERE
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The ultimate expression of Gluey Zenoism from an author who wrote The Demon Lover in one of the Aickman Fontana Ghost Books:
“‘I’ll tell you something, Clara. Have you ever SEEN a minute? Have you actually had one wriggling inside your hand? Did you know if you keep your finger inside a clock for a minute, you can pick out that very minute and take it home for your own?’ So it is Paul who stealthily lifts the dome off. It is Paul who selects the finger of Clara’s that is to be guided, shrinking, then forced wincing into the works, to be wedged in them, bruised in them, bitten into and eaten up by the cogs. ‘No you have got to keep it there, or you will lose the minute. I am doing the counting – the counting up to sixty.’ . . . But there is to be no sixty. The ticking stops.”
From ‘The Inherited Clock’ (1944) by Elizabeth Bowen
MASK
The Ha of Ha above.
Late Labelling:
“Des Lewis obviously needs no presentation to the wayward fantasts. Even if I have enjoyed reading his fine volumes for Dan Watt’s press and the one for Chomu Press two volumes I recommend I feel like there is still space and reasons to discover D.F. Lewis. It is no easy feat to break Mr. Lewis’s Code. His work is constructed like a house, almost like a living mausoleum, according to his particular way of thinking. In other words: astonishing and uncomprehending. There is no key to this house, although there are a lot of doors. Everything is available, everything is waiting to be plucked but few dare knock at the door. Caution is good. Running away is even better. You don t read Des Lewis to understand and enjoy his works. That’s not the point. You read him because you have to believe in something, after all.” (EOP)
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