The Aickman Absolution

The final reaction against the reactionary inside himself?

From sought provender to assuage hunger to a necessary Grubb…


A necessary coda to this book if not this whole series – where the coffee face in the Riddell becomes that of the NUMA, now a new word for nullimmortalis, where the oppressed does box up the oppressor in the shape of a golden-eyed white girl, as it were. The tension released? In-denial assuaged. The Gluey Zenoism at its transcendent still point? Whatever the authorial intentions.
On another level, a charmingly written story of childhood, in the New Orleans river steamer fields of yore, whereby a girl receives a dark doll amid an argument with her guardian aunt about the imaginary friends with whom the girl purports to play and speak. A domestic world with black servants. Naive and disarming, of its age, and with an inner truth that we can all now see via such gestalt scrutiny? From hubris to nirvana, from fear of the self’s ghosts to perfect numa. From horror to catharsis. A purging by or for Aickman? The ache in man.

These Aickman Fontana books have now all been duly read and reviewed, by guided chance choice, in this order: 2, 4, 6, 8, 1, 3, 5 and finally this one: 7.

Full context of above here:

My other on-line Robert Aickman references linked from here:


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