Couching at the Door by D K Broster


“…Art has nothing whatever to do with what is called ‘morality’; happily we know that at last!”

This is an intensely creepy work, evolving from a piece of fluff or “nothing now but a drenched smear swirling round the nymphs of Thetis!” to, I infer, a feather boa worn by one the two ladies in Prague and Paris whom the writer (Augustine Marchant now at the more innocently countrified Abbot’s Medding) once met now being reconfigured in his so-called poetic work that his neighbours know little about, and then to a gigantic cobra, all three visions of such frightful realities threaded through with various images of the Garden of Eden, and, from a different point of view, we gain a glimpse of the same story as seen by the young callow illustrator who is to do the book’s artwork for Augustine’s writing and who is somehow palmed off by Augustine…

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