Extract from the real-time review here: BFS Journal – Spring 2012
the fabulous beast – Garry Kilworth
“It seemed as if the edges were melding together, […] …texts on the hides. I studied the edges of the scrolls and found their rippling hems locked together like pieces of a jigsaw.”
OMG, I think this is my Holy Grail of a gestalt in all my years of real-time reviewing. Why did I mention ‘edges’ of stories through which they seep together earlier in this review? Here this concept reaches something I did not expect when I said that: something so uncanny for me, I think there is a tadness of ’occult’ about this process, after all! Taken on its own, this Kilworth story is a genuinely original mad scientist story, touching on gaia undercurnents worthy of Algernon Blackwood (cf The Centaur) and the ‘workshop of filthy creation’ in Mary Shelley’s ‘Frankenstein’. On top of that discreteness as a compelling story in or out of this book’s context, ’fabulous beast’ echoes the immortality theme of the Moore (even explicitly mentioning a ‘freak circus’ in the Kilworth), the ‘birth’ of those autonomous creatures in the O’Regan, and the destruction of the ‘brood‘ in the Quimper: and the emergence of the bird man in the Oliver, ‘the wheel of whompus’ now spinning so hard it brings into explicit being, here in the Kilworth, the very Parthenogenesis theme with which I was obsessed when I started the ‘parthenogenetic fiction’ (and ‘late-labelling’) with ’Nemonymous’ (cf: for example, ‘Sexy Beast’ by Tony Mileman in issue 4 (2004)). And the “Zoo” mentioned here echoes Cern Zoo….
This is a brilliant mixed bag of fictions and poems. Tantalisingly unified as well as a variety of styles and subjects. Whether editorially intentional or not to create this effect, I am awestruck. And apologies again to Neil Fulwood. Who knows what his story may have factored into the edgy melting-pot. (1 May 12 – 11.00 am)