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Twitter: @DF_Lewis
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GESTALT REAL-TIME REVIEWING
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And Click: HERE for full Navigation, Stop Press & Backstory.
Träumerei: Co-Vivid Dreaming
DFS LEWIS: Reading Aloud
Available DFL books: HERE
The Three Ages of D.F. Lewis
0. 1948-1985 — Poems / Zeroist Group (1960s), The Visitor (Novel) 1973, Agra Aska (novella) 1983.
1. 1986-2000 – Over 1000 fiction publications in magazines and anthologies, some selected for the Prime Books D.F. Lewis collection ‘Weirdmonger’ (2003). Work once in Stand, Iron, Panurge, Orbis, London Magazine….
I was awarded the BFS Karl Edward Wagner Award.
2. 2001-2010 – Publishing multi-authored ‘Nemonymous’.
3. 2008-
GESTALT REAL-TIME REVIEWING (www.nemonymous.com),
Plus one novel NEMONYMOUS NIGHT (Chômu Press), a story collection and two novellas entitled THE LAST BALCONY (InkerMen Press), and a novella entitled Weirdtongue (InkerMen Press), and my reprint of Agra Aska that was originally published in 1998 by Scorpion Press,
Plus three originally created multi-authored anthologies that I published,
Plus two books from Mount Abraxas Press, and an Eibonvale chapbook called The Big Headed People. And a book collection from Eibonvale: DABBLING WITH DIABELLI,
Plus, in July 2020, a past story selected for THE BIG BOOK OF MODERN FANTASY edited by Ann and Jeff VanderMeer.
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THE LAST BALCONY: HERE
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After many satisfying years of gestalt real-time reviewing, it now feels really special to see one of my own old stories showcased here!
My detailed review of this Big Book: HERE
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MASK
The Ha of Ha above.
Late Labelling:
“But then, Lewis seemed to know
Of it;”
I have read all these quintains in one sitting, making up variously sized spaced-between poems. I did not understand them all. But many added to my wisdom by a new perception, and I recall the Suggs quintain particularly in this regard. Anselm, Plotinus, Lewis of Narnia, Chômu, Facebook, ordinary and rarefied things in cruxial enjambment.
But the greatest sense of satisfaction was allowing my sump to fill further with a growing gestalt (if that is not a contradiction in terms) of this great fictioneer and what he has decided to devote to public paper-printed text.
The first four lines of just one of the many quintains below. You will need to buy the book to see what the fifth line says. I found it significant.
“I fictionalise.
For me, it’s fundamental.
What if fiction were
Removed from the human brain?”