DF Lewis (1948 -)
Writer, Publisher, Fiction Reviewer
Amateur Photographer
main site: this one
Scenic photos: https://nullimmortalis.wordpress.com
Nonscenic photos: https://conezero.wordpress.com/2024/02/24/d-f-lewis-recent-photos-1/

Please click here for initial navigation and backstory:

All reviews linked for each of these years:

2008/9 – 2010 – 2011 – 2012 – 2013 – 2014 – 2015 – 2016 – 2017 – 2018 – 2019 – 2020 – 2021 – 2022 — 2023 — 2024

Nemonymous Wikipedia: https://en.wikipedia.org/wiki/Nemonymous

D.F. Lewis: Winner of the Karl Edward Wagner Award: 1998

The EIBONVALE ‘Nemonymous Night’

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NEMONYMOUS NIGHT – my only novel.
It’s on sale again with its new publisher after being out of print for some while. Now for the first time in hardback. And indeed in a hardback with the most spectacular dust jacket I think I have ever seen. I am most excited.
The Eibonvale Press page for it is here: https://www.eibonvalepress.co.uk/books/books_Nemonymous.htm

Also for sale on Amazon.

More info accoutrements from the past by my ‘stub of pencil’ here: https://nemonymousnight.wordpress.com

SOME OF MY RECENT SERIAL REVIEWS OF OLDER WORKS INDEXED…

ROBERT AICKMAN

ELIZABETH BOWEN

WALTER DE LA MARE

ELIZABETH TAYLOR

WILLIAM TREVOR

HENRY GREEN

THAT GLIMPSE OF TRUTH: 100 FINEST STORIES

M.R. JAMES

VARIOUS ‘PENGUIN’ SHORT STORY ANTHOLOGIES

MISCELLANEOUS OLDER GHOST OR HORROR STORIES

BEST BRITISH SHORT STORIES edited by Nicholas Royle

THE THREE BIG BOOKS & THE WEIRD edited by Ann & Jeff VanderMeer

SHIRLEY JACKSON

DONALD BARTHELME

KATHERINE MANSFIELD

BERNARD MACLAVERTY

VLADIMIR NABOKOV

CLARICE LISPECTOR

TRUMAN CAPOTE

PAUL AUSTER

SILVINA OCAMPO

ANNA SEGHERS

FLANNERY O’CONNOR

FRANCES OLIVER

And many more linked from here: https://dflewisreviews.wordpress.com/reviews-of-older-books/

MY AI DECORATED REVIEWS of older works

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I am no longer involved in triggering AI Art…

…but these three were my favourites from when I was doing so:-

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It was a good journey. I learnt a lot, felt a lot, and the experience has assisted in my changing the way I look at things when I take real Nonscenic photographs. I also trust the individual ‘AI shifting collages’ I triggered for all the individual authors were similarly experienced by the authors — based on my gestalt real-time reviews of their work as such collages were.

St John Passion, Snape Maltings

University of Essex Choir, Orchestra of the Age of Enlightenment, Conductor Ben Vonberg-Clark, May 4th 2024

Yesterday, I was privileged to be taken to Snape Maltings in nearby Suffolk to experience Bach’s St John Passion. Details in photographs (please click to enlarge).

I have long appreciated the opening of this work, and I have, in my own eccentric way, claimed it as an inspiration for Philip Glass operas and some of his other music. But now I recognise its true power, where, yesterday evening, the entry of the chorus was body- and mind-tingling to the nth degree, even spiritual in a frighteningly awesome and sublime moment in time. And from that point onward, I was captivated. Even more so than earlier experiencing this choir and orchestra’s performance of the Mass in B Minor at Snape which I had thought, till now, to be the greater Bach work. The rest of the St John Passion that I had before felt to contain too much recitative and continuo for my tastes, became now, for me, more intimate than some great chamber music, the cello in particular with mesmeric minimalism. The woodwind, too. The chorus continued its adept harnessing of an exciting energy. Overcoming the work’s difficulties with a faultless passion, to my innocent ears. All the vocal soloists seemed individually inspired, reaching out to the packed auditorium without diminishing the chamber intimacy. I was simply bowled over.

My previous reviews of local classical music: https://dflewisreviews.wordpress.com/des-lewiss-classical-music-reviews/

My Classical Music Facebook Group: https://www.facebook.com/groups/266989980069260/?ref=share_group_link

What the Giants Were Saying — David Rix

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Eibonvale Press 2024

Just received WHAT THE GIANTS WERE SAYING by David Rix, having purchased it from the publisher’s website. Can any look of a book stagger one more? Rhetorical question.

Please see first comment below with what is revealed under the dustjacket.

My previous reviews of this author: https://dflewisreviews.wordpress.com/tag/david-rix/ and of this publisher  https://dflewisreviews.wordpress.com/eibonvale-press/

Koyaanisqatsi and Nonscenicism

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I’m watching, on Amazon Prime, using quality earphones, as I speak, the 1982 film KOYAANISQATSI with music by PHILIP GLASS and it is just as sublime as I remember it in the cinema,, even more so, especially as I am now watching it with New Nonscenic eyes (https://nemonymousnight.wordpress.com/2024/04/18/some-favourite-nanosecond-photos/)

My photo above of the TV screen at the precise segue from one scene of Koyaanisqatsi  to another, showing at least three elbows ‘fading’ into something else!

My ‘Elbow Shape’ Facebook Group: https://www.facebook.com/groups/440357875016540/?ref=share_group_link