DF Lewis (1948 -)
Writer, Publisher, Fiction Reviewer
Amateur Photographer
main site: this one
Scenic photos: https://nullimmortalis.wordpress.com
Nonscenic photos: https://conezero.wordpress.com/2024/02/24/d-f-lewis-recent-photos-1/

Please click here for initial navigation and backstory:

All reviews linked for each of these years:

2008/9 – 2010 – 2011 – 2012 – 2013 – 2014 – 2015 – 2016 – 2017 – 2018 – 2019 – 2020 – 2021 – 2022 — 2023 — 2024

Nemonymous Wikipedia: https://en.wikipedia.org/wiki/Nemonymous

D.F. Lewis: Winner of the Karl Edward Wagner Award: 1998

SOLAGE by Nicolas Ashley

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EPUB: HERE

One of my family members has self-published this massive and unique novel that was started without my knowledge in 2011 and diligently moulded into existence since then. Imagine my pride and excitement when finally reading it.

From the chronicles of the sun – fiction, magic realism, fantasy, science fiction, cyber and steam punk. With the added power of a strange case of satire plus ‘italic portals’ to who knows where! Replete with literary and musical references, too.

It is hoped that this book will garner some reviewers or beta-readers or independent publishers. Please let it be known if you would like free epubs for this purpose.

My earlier detailed real-time diary of my initially reading it is HERE. Please let me know if you need the password for this diary. My email: dflewis48 (at) hotmail (dot) com

The author’s contact email: Nicolas.Ashley1 (at) outlook (dot) com

Temporary Paperback in Lulu available, too.

Photo above by me — pictured perhaps with the ‘plexiglass’ as featured in the book. 🙂

Whiffling Through The Broad Leaves

MY FICTION MINIATURES WRITTEN AFTER I RETIRED AS THE GESTALT REAL-TIME REVIEWER OF BOOKS

DEEP RIVER: https://dflewisreviews.wordpress.com/2024/07/17/deep-river/

THE WATER STRIDER: https://dflewisreviews.wordpress.com/2024/07/18/the-water-strider/

BALFOUR BROGUES: https://dflewisreviews.wordpress.com/2024/07/20/balfour-brogues/

RAGGED BOTTOM: https://dflewisreviews.wordpress.com/2024/07/20/ragged-bottom/

RUNWAY: https://dflewisreviews.wordpress.com/2024/07/21/runway/

WHEN THE DOGS HAVE GONE: https://dflewisreviews.wordpress.com/2024/07/21/when-the-dogs-have-gone/

PICKLED FENNEL: https://dflewisreviews.wordpress.com/2024/07/22/pickled-fennel/

THE RETURN OF THE ROVERS: https://dflewisreviews.wordpress.com/2024/07/22/the-return-of-the-rovers/

THE MACARONI PEOPLE: https://dflewisreviews.wordpress.com/2024/07/23/the-macaroni-people/

THE LITHOGRAPH: https://dflewisreviews.wordpress.com/2024/07/24/the-lithograph/

ANYTHING GOES, ANYTHING BUT: https://dflewisreviews.wordpress.com/2024/07/25/48259/

WATCH FROM THE START: https://dflewisreviews.wordpress.com/2024/07/27/watch-from-the-start/

VIRGINIA CREEPER: https://dflewisreviews.wordpress.com/2024/07/28/virginia-creeper/

THE PERIWINKLE WATERFLOWER: https://dflewisreviews.wordpress.com/2024/07/29/the-periwinkle-waterflower/

SHALLOW WATERS RUN DEEP: https://dflewisreviews.wordpress.com/2024/07/30/shallow-waters-run-deep/

WHIFFLING THROUGH THE BROAD LEAVES: https://dflewisreviews.wordpress.com/2024/07/31/whiffling-through-the-broad-leaves/

A BECKONING FROM THE FOREFATHERS: https://dflewisreviews.wordpress.com/2024/08/01/a-beckoning-from-the-forefathers/

GUSSETS FOR GHOSTS: https://dflewisreviews.wordpress.com/2024/08/02/gussets-for-ghosts/

THE BRASSO GHOST: https://dflewisreviews.wordpress.com/2024/08/03/the-brasso-ghost/

THE ORLOP DECK: https://dflewisreviews.wordpress.com/2024/08/04/the-orlop-deck/

THE FRANGIPANE ESCAPADE: https://dflewisreviews.wordpress.com/2024/08/05/the-frangipane-escapade/

THE APPALACHIAN SUITE: https://dflewisreviews.wordpress.com/2024/08/06/the-appalachian-suite/

THE DOG PATH: https://dflewisreviews.wordpress.com/2024/08/07/the-dog-path/

SHOWER TALK: https://dflewisreviews.wordpress.com/2024/08/08/shower-talk/

A TOWN CALLED FARRAGO: https://dflewisreviews.wordpress.com/2024/08/09/a-town-called-farrago/

THE BLIGHTED WRANGLER: https://dflewisreviews.wordpress.com/2024/08/10/the-blighted-wrangler/

SPIKY BALLS: https://dflewisreviews.wordpress.com/2024/08/11/spiky-balls/

BELLEROPHON: https://dflewisreviews.wordpress.com/2024/08/12/bellerophon/

HENDERSON’S ROTATOR CUFF: https://dflewisreviews.wordpress.com/2024/08/13/hendersons-rotator-cuff/

THE PINCERS’ RETURN: https://dflewisreviews.wordpress.com/2024/08/14/the-pincers-return/

KINDRED HATS: https://dflewisreviews.wordpress.com/2024/08/15/kindred-hats/

OLIVE VILLA’S DEMISE: https://dflewisreviews.wordpress.com/2024/08/15/olivillas-demise/

CHANCERY AVENUE: https://dflewisreviews.wordpress.com/2024/08/16/chancery-avenue/

THE BRICKLAYER’S DILEMMA: https://dflewisreviews.wordpress.com/2024/08/17/the-bricklayers-dilemma/

SHORTLISTED FOR THE DUSTBIN: https://dflewisreviews.wordpress.com/2024/08/18/shortlisted-for-the-dustbin/

THE ALEXANDER QUADRANGLE: https://dflewisreviews.wordpress.com/2024/08/19/the-alexander-quadrangle/

CIRCULATING LIBRARY: https://dflewisreviews.wordpress.com/2024/08/20/circulating-library/

PENITENTIAL PSALMS: https://dflewisreviews.wordpress.com/2024/08/21/penitential-psalms/

ALICE LEAVES HOME: https://dflewisreviews.wordpress.com/2024/08/22/alice-leaves-home/

WHERE ZELENKA AND ZORN COME TOGETHER: https://dflewisreviews.wordpress.com/2024/08/23/where-zelenka-and-zorn-come-together/

ON THE OUTSKIRTS OF THE DREAM ARCHIPELAGO: https://dflewisreviews.wordpress.com/2024/08/24/on-the-outskirts-of-the-dream-archipelago/

TRIGGER WARNING: https://dflewisreviews.wordpress.com/2024/08/24/trigger-warning/

BELLIES UP: https://dflewisreviews.wordpress.com/2024/08/25/bellies-up/

LOVELY ADA: https://dflewisreviews.wordpress.com/2024/08/26/lovely-ada/

A MANATEE’S MATINÉE: https://dflewisreviews.wordpress.com/2024/08/27/a-manatees-matinee/

SPLINTERING HARMONIES: https://dflewisreviews.wordpress.com/2024/08/28/splintering-harmonies/

THE SEMAPHORE GAMES: https://dflewisreviews.wordpress.com/2024/08/29/the-semaphore-games/

PANDEMONIUM AT THE VICARAGE: https://dflewisreviews.wordpress.com/2024/08/30/pandemonium-at-the-vicarage/

THE SCARRED FACE: https://dflewisreviews.wordpress.com/2024/08/31/the-scarred-face/

THE CHINAMAN’S CHAGRIN: https://dflewisreviews.wordpress.com/2024/09/01/the-chinamans-chagrin/

THE PLAYFUL OCTET: https://dflewisreviews.wordpress.com/2024/09/02/the-playful-octet/

THE RAUCOUS NUN: https://dflewisreviews.wordpress.com/2024/09/03/the-raucous-nun/

THE LEVITATING TURNTABLE: https://dflewisreviews.wordpress.com/2024/09/04/the-levitating-turntable/

THE BANDSAW LEGACY: https://dflewisreviews.wordpress.com/2024/09/05/the-bandsaw-legacy/

GRAPPLING WITH ZERO: https://dflewisreviews.wordpress.com/2024/09/06/grappling-with-zero/

THE CROW’S CHRONICLE: https://dflewisreviews.wordpress.com/2024/09/07/the-crows-chronicle/

FLAT-LINING TARA: https://dflewisreviews.wordpress.com/2024/09/08/flat-lining-tara/

RUPERT IN PINK: https://dflewisreviews.wordpress.com/2024/09/09/rupert-in-pink/

TO BE CONTINUED HERE: https://dflewisreviews.wordpress.com/2024/09/10/the-ghost-opter/

[THERE IS NO AI INVOLVEMENT WHATSOEVER IN ANY DFL FICTION OR BOOK REVIEWS SINCE 1986 NOR WILL THERE BE SUCH IN ANY OF MY FUTURE TEXTS]

Previous fiction miniatures: https://howivi.wordpress.com/2023/12/15/another-index-of-miniatures/

From the Author Shifting Collages

Nearly a year ago, I rid myself of any ability to generate AI Visual Art, because its purpose for me was obtained and crystallised within. I have collected a few of the best ones, though, to distil some of that hard work on my part, i.e. for Facebook groups still using them — and here are a ‘few of the few’ as a slideshow complete with new captions: https://etepsed.wordpress.com/2024/05/24/captioned-aimages/
I learnt a lot from this procedure about myself. Part of a journey.

My Scenic Photos: https://nullimmortalis.wordpress.com

My Nonscenic photos: https://nemonymousnight.wordpress.com/2024/04/18/some-favourite-nanosecond-photos/

The EIBONVALE ‘Nemonymous Night’

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NEMONYMOUS NIGHT – my only novel.
It’s on sale again with its new publisher after being out of print for some while. Now for the first time in hardback. And indeed in a hardback with the most spectacular dust jacket I think I have ever seen. I am most excited.
The Eibonvale Press page for it is here: https://www.eibonvalepress.co.uk/books/books_Nemonymous.htm

Also for sale on Amazon.

More info accoutrements from the past by my ‘stub of pencil’ here: https://nemonymousnight.wordpress.com

SOME OF MY RECENT SERIAL REVIEWS OF OLDER WORKS INDEXED…

ROBERT AICKMAN

ELIZABETH BOWEN

WALTER DE LA MARE

ELIZABETH TAYLOR

WILLIAM TREVOR

HENRY GREEN

THAT GLIMPSE OF TRUTH: 100 FINEST STORIES

M.R. JAMES

VARIOUS ‘PENGUIN’ SHORT STORY ANTHOLOGIES

MISCELLANEOUS OLDER GHOST OR HORROR STORIES

BEST BRITISH SHORT STORIES edited by Nicholas Royle

THE THREE BIG BOOKS & THE WEIRD edited by Ann & Jeff VanderMeer

SHIRLEY JACKSON

DONALD BARTHELME

KATHERINE MANSFIELD

BERNARD MACLAVERTY

VLADIMIR NABOKOV

CLARICE LISPECTOR

TRUMAN CAPOTE

PAUL AUSTER

SILVINA OCAMPO

ANNA SEGHERS

FLANNERY O’CONNOR

FRANCES OLIVER

And many more linked from here: https://dflewisreviews.wordpress.com/reviews-of-older-books/

MY AI DECORATED REVIEWS of older works

========================================

The Passionate Velour

Shona knew that velour often had a nap, but so did velvet, and she was never sure of the different qualities of sleep each granted her. When using a velour pillow, she dreamed of the usual ghosts, but they were more tenuous and stretchy. On the rare occasions, she managed to get hold of a velvet pillow, she saw the ghosts for real in the room around her, even when fast asleep. Not that each pillow was made entirely of either fabric, but were filled with feathers of different birds, sometimes a mixture, sometimes the feathers of a single breed of bird, and she could never tell which was which. In some senses, the pillows themselves were part of her dreams, but when she woke up, she ever forgot the dream so as to remember to check out the pillow upon which she had, the previous night, opted to collapse her partially unconscious head. Opted being the operative word, of course.

These were in the days she had already encountered, for her, the still nameless couple of whom some of us already know the names. This man and woman themselves were in her dreams, but not yet identified for who or what they were; maybe they were those who exchanged teeth for coins under children’s pillows, or who were, indeed, on some nights of Shona’s slumber, those whom she somehow adopted as a formulation of poltergeists as pillowghosts — particularly on the more brave occasions when the better part of velour was half the battle towards a more restful sleep. Velvet often meant nightmares, not dreams. Velour, on the other hand, stretched credulity as well as the membrane of a nap into a passionate oblivion, if that is not a contradiction in terms. 

On the night in question, meanwhile, Shona was still a child and, upon waking, she hastened to turn her pillow, not for checking its fabric, but to discover whether her milk tooth was still there, or a shiny shilling instead. She guessed two fairies had conducted a passionate quarrel about it, as it was still there, but its tiny pliable whiteness was somehow  broken in two. She shook her head in dismay and in hope of forgetting the passions inherent within any vale of sleeping at all, she bravely proceeded to open the bedroom louvre upon the daylight outside, which act of defiance foreshadowed, for her as a singular breed, a future that featured shutters.

Window Shutters 

But they usually had firm fluent speech, without one sign of such hesitation, their inner curtains as a special form of alveolar or tongue process. The handle to open and shut it might have been a means of controlling what entered or left through it, and this window in question today that the Ghost Opter investigated was decked with outside shutters, as if it were emulating a continental version. The shutters, initially, seeemd vestigial, with no purpose other than a cosmetic one. But where a blatant cruelty of outright exorcism encountered, in a grey area, a sense of salvage or rescue of whatever spectral entity happened to be framed within it as a seeming reflection of what was neither outside or inside the glass that had crumbling putty along its edges, the Opter soon realised he had reached the end of some sentence too early. The whole phenomenon described above, in hindsight, with his having just used the word ‘spectral’, seemed to be the perfect example of ‘spectrality’ that, until now, had been hidden in plain sight.

The next event was the Opter’s ear clamped to his mobile phone seeking advice on how to proceed from someone who was overheard from his own lips to be called ‘Anne’. Is it jammed? The shutters seem rusted at their hinges. Are they shutters similar to what were used in antique cameras? Don’t think so. So they are just for show? Look like it. Take photos, send them to me  and I’ll make a decision, Jack, don’t do nothing without my say-so. 

The next event that could be observed was the Opter taking photos with his phone of the lock device on the inner window handle as well as the shutter hinges, but all he seemed to get was low-resolution images of his own reflection in the smeary glass, half-pervaded by the striped translucent bars that had been stuck to the inside of the glass as a mockery of net curtains. The glints that outshone the sun did not help.

He suspected this was where the essence of the ghost resided, still pressed against the translucent bars. He scried, from outside, each narrow viewpoint of clarity, seeking, high and low, for signs of faded fingerprints of where it had suckered onto the glass. He muttered something to himself about ‘shutter speeds’, but what he meant will never be discovered. Just as his phone rang back, its timer had abruptly expired, and just the slice of what happened truncated at both ends of what had been written down about it above. What should have been an open and shut case had evidently lost its window of opted opportunity for resolution. Lucky, at least, to have reached this stuttering stop….

Woodshed

Why Steg was called Steg concerned some nasty incident during her now ancient schooldays, a past now too easily forgotten. The sound if not sight of a firework whooshed intrusively from the next door garden into hers. At least it showed Steg that someone still lived there, as she watched a hooded figure, after it shooed off an indeterminate pet, perhaps for kind reasons of preventing the latter being startled by the ignited Catherine Wheel, as it turned out. Whether a pet or a pest, Steg could not be sure. She could not be sure of anything these days, other than she ever glimpsed shadowy thirds coming and going next door, sometimes making a whole one. One shadow often shouted out the names of Jack or Anne, and the other two shrieked  ‘Shona!’ As if calling back a wayward cat. Or was Anne the cat, and Shona a senile wife wandering too near their own woodshed for comfort? Steg opted for there being  up to three actual people ensconced next door as well as a nameless wild cat adopted for purposes unknown. 

Steg’s real name happened to be Catherine, but the irony was lost on her, and, like many others these days, she lived hand to mouth. She needed the bonus of a heating allowance in order to eat at all. Every garden in the terraced row had a landlord-locked woodshed in its back garden, and shooing rights against anything that might wander into the wrong garden. Few realised, mainly because they were too old to climb, that the attics inside the various back-to-back twouptwodowns had connecting attics without partitions above the bedroom ceilings. Even the houses opposite each other across the road had some sort of concealed connection between them. Whether underground or not. Or by some other means facilitated by whatever each woodshed contained. Steg often wondered whether a woodshed was called a woodshed because it was hewn from wood or because it contained such wood to help refuel the debit side of her accounts after the loss of the government heating allowance, if only she’d remembered the password the landlord had given her to the woodshed’s lock.

Once Steg thought in old-fashioned terms that she was being wooed by the landlord, because in her younger days, she felt herself to be quite attractive. But since the Big Change, he had become more of a ghostly figure one could never contact. Elusive as much else in her life. Including the inscrutable relationship of her nearest neighbours. Steg occupied an end-of-terrace house, rather than in the middle of two such ‘tunnelbacks’, as these abodes were once called. And so her own  woodshed assumed a greater importance, as it should.  Another firework was ignited under the lighted hand of a Jack or an Anne (or even a Shona, depending on the time of night.) Steg heard it hiss and splutter before three separate fireworks from a single fuse  whooshed up to the blacked-out sky with somehow sparkly but low-key hues, one of which at least landed in flames on her woodshed. It gets, Steg instinctively knew, to the darkest point of night just before dawn. Steg would show soon that she had been only one step away from remembering something important, as she felt something else with a tail slip past her between her feet. As another thing, even darker than the blacked-out sky, could be glimpsed skimming, with unlit fuse, from roof to roof, across the road.

Gunfleet Hotel

…this being an establishment better known as the Low-Key, where not one ghost had been glimpsed let alone had made a disturbance in residents’ sleep patterns. Even ghosts that had once been guests who had met a violent death kept a low profile, too. There was, however, the  steady hum of the sea at night, and the stripped-down yachts softly clinked their masts’ residual rigging in a moon’s fleeting breezes that its moonshine induced, and thus these silhouettes of sea craft subtly made themselves apparent in the yard just below the windows of the hotel’s front guest rooms. And birds shifted or fidgeted wherever and however birds did tend to shift or fidget out of sight after darkness had fallen, a few of which birds being blurred shapes that gave birth to the notion of black gulls haunting the environs of Bonnyville-on-Sea.

So low-key was Low-Key, it tried to avoid its own official name, but not only that, the guests or residents themselves were encouraged to opt for remaining nameless both to each other and regarding what they had written in the reception register. But they did leave, in encrypted form, details of forwarding contact, in case of hindsight problems of their stay. It could be guessed, however, the identity of at least three of these guests in the context of such opting for anonymity, especially in the context of haunting and self-haunting and transubstantiation and half-hearted culls and/or rescues of such ambivalent entities rumoured heretofore in our annals. So they will remain nameless here, too, in the spirit of low-keyed aspirations.

The real name of the hotel itself has, self-evidently, already been blurted out up front, so the rest of this particular annal is merely damage limitation. However, meantime, there was no hope in concealing that name, anyway, nor that of the actual town where the Blue Apocryfan pub was so sought-after as a centre of letting one’s hair down, thus an irresistible draw for day-trippers to arrive at the town’s railway terminus equally famous for its Big Bee sculpture that was stationed on the entrance to the platforms. However, daytrippers simply failed to make hotels happy. Hotels needed more than just transients. They yearned for stay-overs and sleep-insiders to help pay their way in the economy of spiritual exchange for which this seaside resort was known. If anyone knew where to find it, in any event!

Chekhov was famous for the maxim that if a gun is rigged up for appearance — or even merely mentioned — in a plot, it is bound to be used in anger at some stage in that very plot. Hence the rechristening of the hotel as Moonfleet: an encryption via an otherwise irrelevant novel for children. The rest is up to you. A low profile is no doubt the optimum stance for man or moon.

Air On A Boot String

Jack was an Opter, Jack was a Scryer, Jack was plainly once an Exorcist, but now Jack was a Saviour of Ghosts, indeed, Jack had been a Hunter as well as a Finder of Ghosts, and, moreover, Jack was, as some said, a Ghost himself, making this developing career easier as an unstemmed flow more unstoppable than the thrusting thermals of air that his activities engendered under the auspices of climate change. Anne, meantime, was Jack’s familiar, not  a cat, not a shadowy third, as there was no shadowy second, indeed, Anne was  a woman who had been a ghost of a dead person but one that had re-hardened into flesh, and now laced through with several lives, if perhaps not as many as nine, but she was a continuous thread through eyelets while maintaining a string  theory that she tightened now and again within the sewn leathery appearance her acquired skin was said to have grown into, since changing from ghost particles into guts and garters. She was now air flows with G strings woven through them, as a complement to Jack’s more tenuous skills of insidious occultation.

Their first subject was a near neighbour called Shona, who had been a living retreat, a sleep-walking hermitage as a shell of what she once was. Her face scarred and livid, with nicks that Jack could ‘read’ as a Scryer Supreme. Once invited in, Jack helped diminish the souls of Shona’s shoes that now seemed to haunt Shona’s apartment, because when she had been a socialite she had spent all her money on fancy footwear, fashionable in their era and often high-heeled, as well as various types of walking boots and they had now silently decayed in her wardrobe, but their souls had escaped along with strings of ectoplasm laced through their virtual eyelets. Anne — being a ghost-insider, as it were, while Jack, after all, had never been a ghost himself, despite masquerading in certain circumstances of surveillance as a ghost — advised  against utter upfront confrontation with these ghosts that Jack hoped to Optimise rather than Exorcise, but to snip, at strategic points, the laces that bolstered them — such a snipping being a mere means of ‘holding horses’, ‘breaking and taming unruly pigs’, as it were, rather than outright war with them.

Shona faded into the background as Jack proceeded to curate all manner of scissor devices on the floor of her apartment, with Anne looking on facetiously from the open doorway to the hall that linked Shona’s apartment to Jack and Anne’s own. A preparation for whatever the night would bring. Arches and aches, and several false starts. Tongues and levers. Gales of laughter, Nobody knew when the task had been completed, other than the tags and tassels of grey matter that littered Shona’s carpet. And hardened souls now with skid-proof ridges in shapes of more than just a cubic design. As if the once discardable boxes were the items for sale and the shoes were now used as wrapping to contain these boxes.

Jack and Anne returned to their own apartment, sure they had been successful in Optimisation of what once had been Intimidation by shoestrings without their leathery bodies. But Shona, freshly shod, was not so sure, as she shed other shoes more like new-born than anything that had been fully tamed. She superstitiously resisted making any predictable joke about virtual re-booting, though.

My Mount Abraxas books available for selling

Rare and beautiful.

For sale cheaper than elsewhere, the list below roughly in chronological order of purchase by me, 2009-2022.

When each book is sold, it will be deleted from the list below.

Please click on links below for my past book reviews of them…
.
The Silver Voices by John Howard
All God’s Angels, Beware! by Quentin S. Crisp
The Nightfarers by Mark Valentine
Putting the Pieces in Place by R.B. Russell
The Black Cupboard by Claude Seignolle
Cinnabar’s Gnosis
Bloody Baudelaire by R.B. Russell
Oblivion’s Poppy – by Colin Insole
The Satyr – by Stephen J. Clark
Mad Matinée in Baku – by Albert Power
The Defeat of Grief – by John Howard
Amerika – by Karim Ghahwagi
The Bestiary of Communion – by Stephen J Clark
Secret Europe by John Howard and Mark Valentine
Sangria in the Sangraal by Rhys Hughes
The Ten Dictates of Alfred Tesseller by D.P. Watt.
CANAPÉS FOR THE DAUGHTER OF CHAOS by William Charlton
Virtue in Danger by Reggie Oliver
The Light is Alone – Thomas Phillips
Aornos by Avalon Brantley
The Emperor’s Pavement by John Howard
Transactions of the Flesh edited by D.P. Watt and Peter Holman
Letters from Oblivion by Andrew Condous
Malingerer by Thomas Phillips
The Monk’s Bible by Harold Billings
The Stream & The Torrent by Brian Howell
Dreams of Ourselves
Wraiths by Mark Valentine
Splinters of Horn and Ivory – Thomas Strømsholt
golem of bucharest by Andrew Condous
TRANSCENSIENCE by Avalon Brantley and Lockett Hollis
The Hill of Cinders of Colin Insole
The Haunted Sleep of Jonathan Wood
Ruination in Bloom by Charles Schneider
Lanterns of the Night by Alcebiades Diniz Miguel
The Daughters of Lilith and Other Tales by Harold Billings
OUT THERE by Quentin S. Crisp
The Vampire of the Soul by Anne-Sylvie Salzman and William Charlton
Visit Of A Ghost by John Howard
Ruins of Eden and Other Witcheries by Harold Billings
Europa by Karim Ghahwagi
Abyssinia by Damian Murphy
Gas by Eric Stener Carlson
Stars Beneath The Ships by Oliver Smith
A Spy In The Panopticon / The Notary & Other Stories by Damian Murphy
Orient Air Express by Paul Morand
The Rhododendron Boy by Colin Insole
The Metapheromenoi by Brendan Connell
The Sorrows and the Furies by Thomas Strømsholt
Psalms of the Magistrate by Damian Murphy
The Salix Arcanum by Benjamin Tweddell
The Deepest Furrow by Jonathan Wood
The Liminal Void by Karim Ghahwagi
Serpentine Supplications by Stephan Friedman
Kore by Bo Reinholdt
The Ladies of the Everlasting Lichen and Other Relics by Wade German
Terroir by D.P. Watt
Mysterium by Andrew Condous
Philosophical Fictions by William Charlton
The Moon In A Silver Bag by Colin Insole
Salt Flowers from the Years of Drought by Colin Insole
a vigil of black stars
urx quonox by Adam S. Cantwell
The Saint of Evil & Other Stories by Liam Garriock
Four Booklets by ‘The Doomed House of Abraxas’, written by Jonathan Wood, Douglas Thompson, Nicole Vasari and Adam S. Cantwell.
Three Booklets by ‘The Doomed House of Abraxas’, written by Colin Insole, Benjamin Tweddell and Rhys Hughes
Skin and Grief by R. Ostermeier

Please contact dflewis48 (at) hotmail (dot) com

ALL my purchased Mount Abraxas books once in my possession, together with their review links: HERE

All other publishers’ books purchased and reviewed by me are for sale, too. Please explore this site and then contact me.

The Wombats Are Coming

Shona  was at home when she first learnt about wombats in the new discipline of Anthrapologies (sic), having been co-opted for Zoom lessons rather than attending college in person. Like some of her teachers, she’d never been the same since Covid, and now all was co-vividual in the visual sense of Screenology. 

Her inscrutable neighbours Shona only knew as Anne and Jack having realised surely they must have become accustomed to her always being at home, with delivery vans of different sorts arriving every half hour or so. Everything went in and nothing came out.  Shona suspected all her neighbours, not only Anne and Jack, were ghosts of sorts that had succumbed to the Big Change, that some called the Unfleshing. And her new range of studies that she had opted for were specialist optics within that contextual frame. The refleshing, not refreshing, of screens. The Wombats as mistaken for Rombots or sometimes brands of coffees served as Shona’s reading matter between the chicklit and the romcoms that she enjoyed as a necessary therapy. She learnt also that wombats pooped in cubes, and that their teeth never stopped growing. And that their official collective noun was a ‘wisdom’ of wombats. So different from the new collective terminology for women as opposed to wombats. But a collective so much more complimentary than the collective for men, whom she now never met in person. The two genders had long grown, in the teeth of wilder mating, even less than barely complementary for each other.

All was now in delicate balance, though, with no further sign of a tipping-point … until an unexpected knock came on her disused door. Delivery men had an oubliette into which to tip her orders, one with a coded opening like an old-fashioned coal-bunker situated at the angular root, not unlike an elbow, where the brutalist wall met the ground zero of her homebase. Who’s there? Jack, disused if not diseased from next door, it seemed. What do you want? All spoken thus muffled by the door between them. Anne has had an accident, can you help? Shona stayed silent, fearing anything she said would be wrong. Wrong for her as well as for Jack and Anne. Could ghosts have accidents? Whatever wisdom that had been co-opted by Shona induced her to withdraw to her designer purpose-built cubist cubby-hole where she kept the latest home delivery of do-it-yourself dental and mental kits in smart array, as well as means for quiet evacuation. She could sit out a siege there, but for how long? Till she grew older in years, or even longer in something else?

Buzzing Sand

Mining bees usually infest soil not beaches, but as Jack had to opt for the most comfortable billet each night, if there otherwise was silence, he could be heard humming in all manner of mineral bases. Mostly powdery elements, or melted, or pre-being smelted, even while hardening as he slept like the special clay used by sculptories.

Jack was not a bee exactly, but a ‘be all and end all’ type of man, although there is another expression on the tips of tongues that might have suited him, proving that those owning such tongues are not ‘know it alls’ at all. He did dress up as a bee, however, inspired by the bee sculpture to ‘save all bees’ currently cropping up in various public places, huge models of bees revolving on plinth pedestals. One in the railway station of a seaside town near Frinton. Families arrived there with their kids clutching buckets of sand to add to the sand that was already there. Making beach mountains they called mine forever, even though these kids left to go home by train without knowing that the tides would take their mountains  as the sea’s own — with whatever used them (as buzzing billets or humming hives) possessing all the ghostly optics that such a sound vision entailed.

Jack was an all-tradesman, a coster of every mongership, a man with a chosen mission, neither an optical illusion nor someone available to be verified by touch. His striped mask had slipped, as it often did. His face, Anne thought, was pleasant enough. She sat next to him on one of the now empty benches at the part of the promenade near the pier. They watched the kids’s mountains swill away into the dismal dusk of the near horizon, a washing away like wasps whispering, with another shimmer of sound that were the miners dying. And she wept. Listening to the last train leave the aforementioned station with the similarly fading echo of an empty aeroplane moving across the sky, having dropped its payload of Buzz Bombs one by one. Jack grasped her hand, with sweet nothings for her nearest ear. At least his own touch somehow proved he was real to at least one other. Not the last we have heard of either of them.

The Ghost Opter

A new series of my fiction miniatures continued from here: https://dflewisreviews.wordpress.com/2024/08/08/whiffling-through-the-broad-leaves-2/

CHINESE POTTING: https://dflewisreviews.wordpress.com/2024/09/10/chinese-potting/

BUZZING SAND: https://dflewisreviews.wordpress.com/2024/09/11/buzzing-sand/

THE WOMBATS ARE COMING: https://dflewisreviews.wordpress.com/2024/09/12/the-wombats-are-coming/

AIR ON A BOOT STRING: https://dflewisreviews.wordpress.com/2024/09/13/air-on-a-boot-string/

GUNFLEET HOTEL: https://dflewisreviews.wordpress.com/2024/09/14/gunfleet-hotel/

WOODSHED: https://dflewisreviews.wordpress.com/2024/09/15/woodshed/

WINDOW SHUTTERS: https://dflewisreviews.wordpress.com/2024/09/16/window-shutters/

THE PASSIONATE VELOUR: https://dflewisreviews.wordpress.com/2024/09/17/the-passionate-velour/

TO BE CONTINUED ABOVE

[THERE IS NO AI INVOLVEMENT WHATSOEVER IN ANY DFL FICTION OR BOOK REVIEWS SINCE 1986 NOR WILL THERE BE SUCH IN ANY OF MY FUTURE TEXTS]