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Twitter: @DF_Lewis
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GESTALT REAL-TIME REVIEWING
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And Click: HERE for full Navigation, Stop Press & Backstory.
Träumerei: Co-Vivid Dreaming
DFS LEWIS: Reading Aloud
Available DFL books: HERE
The Three Ages of D.F. Lewis
0. 1948-1985 — Poems / Zeroist Group (1960s), The Visitor (Novel) 1973, Agra Aska (novella) 1983.
1. 1986-2000 – Over 1000 fiction publications in magazines and anthologies, some selected for the Prime Books D.F. Lewis collection ‘Weirdmonger’ (2003). Work once in Stand, Iron, Panurge, Orbis, London Magazine….
I was awarded the BFS Karl Edward Wagner Award.
2. 2001-2010 – Publishing multi-authored ‘Nemonymous’.
3. 2008-
GESTALT REAL-TIME REVIEWING (www.nemonymous.com),
Plus one novel NEMONYMOUS NIGHT (Chômu Press), a story collection and two novellas entitled THE LAST BALCONY (InkerMen Press), and a novella entitled Weirdtongue (InkerMen Press), and my reprint of Agra Aska that was originally published in 1998 by Scorpion Press,
Plus three originally created multi-authored anthologies that I published,
Plus two books from Mount Abraxas Press, and an Eibonvale chapbook called The Big Headed People. And a book collection from Eibonvale: DABBLING WITH DIABELLI,
Plus, in July 2020, a past story selected for THE BIG BOOK OF MODERN FANTASY edited by Ann and Jeff VanderMeer.
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THE LAST BALCONY: HERE
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After many satisfying years of gestalt real-time reviewing, it now feels really special to see one of my own old stories showcased here!
My detailed review of this Big Book: HERE
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MASK
The Ha of Ha above.
Late Labelling:
A hand-sewn booklet of unnumbered pages, with many paper-appliqué pieces of artwork.
Copy 4 of 40
Valentine & Valentine: Hand Made Books 2018
Signed by Jo and Mark Valentine
Cf Slawek’s and my book of Ruinenlust: https://admtoah.wordpress.com/cloistered-by-ravelled-bones-ruined-walls/
POSSIBLE SPOILERS OR RUINERS BELOW
First published in co-operation with
The Ruinians (England) Trust
by Fetish Books of Croydon 1980
More to follow below…when I read it.
This is a journey into the Ruinian Faith, and the memorials and emblems and genii-loci in this umbrella-locus. A guide not to places I visited in recent years like the national arboretum north of Birmingham nor the Painswick rococo garden, but something far more amenable to my ruined soul and rainy thoughts, and the section headings shown above in the contents give some clue as to the godsome gps of your path.
Each appliqué panel is a pareidolia or apophenia angel of angst and ruinenlust. But I anticipate calm seclusion and cloistered, unravelled thought rather than worry once you set out.
I am only showing you two of these appliqué panels as token ruiners above.
‘The British Museum’ – Celia Paul
Just discovered above as a co-resonance in my previous review a few years ago of another book, a book with the same by-line.
end