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Twitter: @DF_Lewis
Träumerei: Co-Vivid Dreaming
DFS LEWIS
Reviews linked for each year: 2008/9 – 2010 – 2011 – 2012 – 2013 – 2014 – 2015 – 2016 – 2017 – 2018 – 2019 – 2020
And Click: HERE for full Navigation, Stop Press & Backstory.
Available DFL books: HERE
All reviews linked for each of these years:
2008/9 – 2010 – 2011 – 2012 – 2013 – 2014 – 2015 – 2016 – 2017 – 2018 – 2019 – 2020
And Click: HERE for full Navigation, Stop Press & Backstory.
The Three Ages of D.F. Lewis
0. 1948-1985 — Poems / Zeroist Group (1960s), The Visitor (Novel) 1973, Agra Aska (novella) 1983.
1. 1986-2000 – Over 1000 fiction publications in magazines and anthologies, some selected for the Prime Books D.F. Lewis collection ‘Weirdmonger’ (2003).
I was awarded the BFS Karl Edward Wagner Award.
2. 2001-2010 – Publishing multi-authored ‘Nemonymous’.
3. 2008-
GESTALT REAL-TIME REVIEWING (www.nemonymous.com),
Plus one novel NEMONYMOUS NIGHT (Chômu Press), a story collection and two novellas entitled THE LAST BALCONY (InkerMen Press), and a novella entitled Weirdtongue (InkerMen Press), and my reprint of Agra Aska that was originally published in 1998 by Scorpion Press,
Plus three originally created multi-authored anthologies that I published,
Plus two books from Mount Abraxas Press, and an Eibonvale chapbook called The Big Headed People. And a book collection from Eibonvale: DABBLING WITH DIABELLI,
Plus, in July 2020, a past story selected for THE BIG BOOK OF MODERN FANTASY edited by Ann and Jeff VanderMeer.
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THE LAST BALCONY: HERE
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After many satisfying years of gestalt real-time reviewing, it now feels really special to see one of my own old stories showcased here!
My detailed review of this Big Book: HERE
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MASK
It may be a few weeks before I can fulfil my ambition of starting to read these publications.
My previous reviews of Nightjar Press publications: https://dflewisreviews.wordpress.com/tag/nightjar-press/
POSSIBLE UNINTENDED SPOILERS
THE VIOLET EYE by Mike Fox
My earlier review of this author’s story THE HOMING INSTINCT: https://dflewisreviews.wordpress.com/2018/07/15/best-british-short-stories-2018/#comment-13290
“He hoped more, he feared more.”
A poignant nine pager, about a man and his life-purposeful hobby of homing pigeons, with the man’s own instinct of a ‘homing instinct’ that lingers, perhaps ironically, upon a yearning for a life still to be what it was before his wife had left him, left him because, outwardly at least, of her attitude to the relentless “bird shit and sawdust” the husband brought into the kitchen on his feet. She’d left before and come back. Telling relationship with his young son (whom his mother wants to follow her and live with her) as the father continues, in the meantime, to tutor the son (and now us) about the lore of racing homing pigeons, with the superstition or suspicion of truth that one with a violet eye is always to be a champion.
I learnt a lot about this in such a deceptively short story’s long journey as they raced the pigeons in North Scotland where the father lives. The outcome of the marriage and its implications will not be easily forgotten by anyone who reads this story, and I cannot tell you about it here, in case you take off the wrong ring when it comes home to you. (I was further emotionally intrigued because of my earlier encounter with a fiction in which homing pigeon lore became significant for me here, such a memory just now giving me a bonus prize of chance enhancement to the Violet Eye.)
THE MESSAGE by Philippa Holloway
“You just said ‘it has to mean something.’”
Except the mother’s small son — sensitive and often asking naive, hard-to-answer questions as children do — only hears her (or thinks he hears her) whisper what he says she said. The text gives no evidence of her saying it, whilst it gives us everything else she says to him, as they discover that a strangely unclassifiable bird has infiltrated their house, a house new to them, with its own novelty of sounds, making them unsure that it was a bird until they became sure by evidence of its presence on the bed in a bedroom, not trapped in the chimney after all. The mother is a cautious pre-planner in this 11-pager, waiting for her husband and the boy’s father who is late homing home from work in the rush-hour traffic, I assume. They query the “message” of the bird itself or as carried by the bird, the flight path signature of its arrival, I guess in a whisper, and, belying his own naivety as a child, the son mentions the word ‘symbolism’. I find myself trapped by this story, making my own inferences, and I hope I don’t crash into its window of entry because it is still closed or once I get in, I hope they will let me out by opening that window again. “The traffic is murder”, the father says on his eventual arrival home, but that does not carry the message of this story. That is an obvious decoy. You will have to fly into it on your own wings to find out. Any suspicion of truth or superstition of poop or fatal omen, notwithstanding.