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Twitter: @DF_Lewis
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Things are not brilliant in the personal health regime of the Gestalt Real-Time Reviewer, so please excuse any delays in whatever I do. (June 2021)
GESTALT REAL-TIME REVIEWING
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And Click: HERE for full Navigation, Stop Press & Backstory.
Träumerei: Co-Vivid Dreaming
DFS LEWIS: Reading Aloud
Available DFL books: HERE
The Three Ages of D.F. Lewis
0. 1948-1985 — Poems / Zeroist Group (1960s), The Visitor (Novel) 1973, Agra Aska (novella) 1983.
1. 1986-2000 – Over 1000 fiction publications in magazines and anthologies, some selected for the Prime Books D.F. Lewis collection ‘Weirdmonger’ (2003). Work once in Stand, Iron, Panurge, Orbis, London Magazine….
I was awarded the BFS Karl Edward Wagner Award.
2. 2001-2010 – Publishing multi-authored ‘Nemonymous’.
3. 2008-
GESTALT REAL-TIME REVIEWING (www.nemonymous.com),
Plus one novel NEMONYMOUS NIGHT (Chômu Press), a story collection and two novellas entitled THE LAST BALCONY (InkerMen Press), and a novella entitled Weirdtongue (InkerMen Press), and my reprint of Agra Aska that was originally published in 1998 by Scorpion Press,
Plus three originally created multi-authored anthologies that I published,
Plus two books from Mount Abraxas Press, and an Eibonvale chapbook called The Big Headed People. And a book collection from Eibonvale: DABBLING WITH DIABELLI,
Plus, in July 2020, a past story selected for THE BIG BOOK OF MODERN FANTASY edited by Ann and Jeff VanderMeer.
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THE LAST BALCONY: HERE
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After many satisfying years of gestalt real-time reviewing, it now feels really special to see one of my own old stories showcased here!
My detailed review of this Big Book: HERE
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MASK
The Ha of Ha above.
Late Labelling:
“Des Lewis obviously needs no presentation to the wayward fantasts. Even if I have enjoyed reading his fine volumes for Dan Watt’s press and the one for Chomu Press two volumes I recommend I feel like there is still space and reasons to discover D.F. Lewis. It is no easy feat to break Mr. Lewis’s Code. His work is constructed like a house, almost like a living mausoleum, according to his particular way of thinking. In other words: astonishing and uncomprehending. There is no key to this house, although there are a lot of doors. Everything is available, everything is waiting to be plucked but few dare knock at the door. Caution is good. Running away is even better. You don t read Des Lewis to understand and enjoy his works. That’s not the point. You read him because you have to believe in something, after all.” (EOP)
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