All Living Writers Listed – by Aye Eye

A huge project started in the earlier days of AI Art availability.

Links to AI visual experiments as triggered by my gestalt real-time reviews since 2008.

PLEASE SEE THE LIST OF ALL THE MANY LINKS HERE

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Each image is clickable and available as a separate enlarged one.

All seemingly inspired by WIMSATT’S INTENTIONAL FALLACY / DES LEWIS GESTALT REAL-TIME REVIEWS / NEMONYMOUS / PARTHENOGENETIC LATE-LABELLING / THE SYNCHRONISED SHARDS OF RANDOM TRUTH AND FICTION (WEIRDMONGER)

EDIT (February 2024)— It was exactly a year ago I started experimenting with AI Visual Art, little knowing what I was entering. There was indeed much stimulation in triggering shifting collages from my gestalt real-time reviews of individual authors. But that was then, and now is now. From today, I no longer have this facility.

 

Looming Low

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Edited by Justin Steele & Sam Cowan

DIM SHORES 2017

The Convexity of Our Youth — Kurt Fawver
The Stories We Tell About Ghosts — A.C. Wise
In Canada — Michael Wehunt
The Second Door — Brian Evenson
The Christiansen Deaths — Daniel Mills
Dusk Urchin — Betty Rocksteady
The Gin House, 1935 — Livia Llewellyn
This Unquiet Space — Damien Angelica Walters
We Grope Together and Avoid Speech — Sunny Moraine
Heirloom — Brooke Warra
That Which Does Not Kill You — Lucy A. Snyder
Doused by Night — Simon Strantzas
We Are All Bone Inside — Kaaron Warren
Outside, A Drifter — Lisa L. Hannett
The Small Deaths of Skin and Plastic — Kristi DeMeester
When the Blue Sky Breaks — Scott Nicolay
Mirror Bias — Craig Laurance Gidney
Boisea trivittata — Anya Martin
Rock n’ Roll Death Squad — Michael Cisco
Alligator Point — S.P. Miskowski
Stranger in the House — Jeffrey Thomas
SPARAGMOS — Christopher Slatsky
Banishments — Richard Gavin
The Sound of Black Dissects the Sun — Michael Griffin
Live Through This — Nadia Bulkin
Distant Dark Places — Gemma Files

When I review these stories, my thoughts will appear in the comment stream below…

Lovecraft’s last lav

Back in July 2016, I posted this gestalt real-time review of a book entitled THE AGE OF LOVECRAFT: https://dflewisreviews.wordpress.com/2016/07/13/the-age-of-lovecraft/

I need to know – was this before Scott Nicolay’s famous throwaway line or not? The line that has contributed – rightly or wrongly – to the disruption of the planning at the imminent NecronomiCon in Providence.

My view is that HPL needs pissing on and adoring in equal measure, for obvious separate respective reasons. Long live the tenets of Nemonymity and Wimsatt’s Intentional Fallacy! I hope the Con will thus revert to its planned equilibrium and deserved success.

Black Static #56

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My previous reviews of TTA PRESS publications HERE.

Stories by Scott Nicolay, Eric Schaller, Danny Rhodes, Eugenia M. Triantafyllou, Charles Wilkinson, Bonnie Jo Stufflebeam, Ian Steadman.

I intend to real-time review the fiction in this issue and, when I do, my comments will appear in the thought stream below…

DO YOU LIKE TO LOOK AT MONSTERS? By Scott Nicolay

An ebook of a story purchased from Amazon, reviewed by Des Lewis

“Captain Nemo also has a pipe organ onboard but you don’t see it till later.”

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A shuttling alternation by a boy, in cahoots with a slightly older girl, of viewfinder monsters and real life, this alternation spread over with dream as well as octopuses, dinosaurs, cactuses, uncles, aunts and stories based on Verne and a real war that Americans got involved in at the time etc. A dare you of a story. A Nemo of a story that when you reach your own Sixties, not those earlier Sixties, and when in later years you become nobody or a skeleton of nobody wrapped round with Cong.
Others may see a different story wrapped round them. That’s the beauty of bespoke fiction like this. But thankfully seeing is disbelieving. Knowing its colour, too. One man’s bad past is another man’s catharsis and so it goes on, slide by slide. Don’t turn off the lights, I like to look.
A story that others tell back at it.

My previous review of Scott Nicolay HERE